The title of the show, Into the Fold, developed naturally in conversation between the artists while getting to know one another and each other’s work. It became apparent there is a relationship between Yeager’s compositions of painted flora and fauna and LaBauve’s void-like objects in shape and form. Both echo modularity, the collection and arrangement of items, and the idea of this “other place.” While Yeager’s paintings feel like framed niches and folded reflections, LaBauve’s ceramic objects frame and embrace the negative space, creating voids and portals. Both celebrate the space between and understand that sometimes the only path is through – or, in this case, Into the Fold.